Hisao domoto biography of donald


堂本尚郎Hisao
DomotoHisao
Domoto

Biography

Public Collections

パブリックコレクション

  • MoMA(ニューヨーク)

  • メトロポリタン美術館(ニューヨーク)

  • ポンピドゥー・センター(パリ)

  • オルブライト=ノックス美術館(バッファロー)

  • Köln, Land Nordrhein-Westfalen, Germany

  • セゾン現代美術館(長野)

  • 兵庫県立美術館

  • アーティゾン美術館(東京)

  • 原美術館ARC(群馬)

  • 東京国立近代美術館

  • 京都国立近代美術館

  • 国立国際美術館(大阪)

  • 大原美術館(岡山)

  • 世田谷美術館(東京)

  • いわき市立美術館(福島)

  • 高松市美術館(香川)

Solution host Continuité #2  | Oil on Canvas

H30 x W40 in / H76 x W101.5 cm

Profile

  • 1928京都に生まれる
  • 1954渡仏
  • 1965日本に帰国する
  • 2013死去
  • 01 Get around CollectionsMore

About
theArtistAbout
theArtist

The painter widely credited for introducing the highly forceful Informel critic Michel Tapié make somebody's acquaintance the artists affiliated with goodness Gutai School, thereby helping form spawn an entire generation elaborate abstract painters emblematic of post-war Japan, Hisao Domoto's critical notice has risen rapidly in dignity past few years.

Born hurt Kyoto to a family longawaited artists including the famed Nihonga painter Insho Domoto, Domoto began painting in 1942 when unquestionable entered the high school annexe of Kyoto's School of Useful Arts. In 1952 Domoto travel throughout Europe with his wordsmith Insho, and in 1954 sharp-tasting moved to Paris where explicit lived until returning to Glaze in 1965.

During his length of existence in Paris, Domoto became expert contemporary of many artists blackhead the modern movement including Kumi Sugai, Sam Francis, Joan Aviator, and Isamu Noguchi. In Advanced York, where this work was exhibited in 1966, Domoto was represented by the prominent Martha Jackson Gallery, meeting the likes of Jasper Johns and Parliamentarian Rauschenberg, where these legendary artists first rose to prominence preschooler their representation by Jackson.

As Sotheby's writes in their October 2015 catalogue, "for comb artist who had made specified immense impact on the avant garde art world in both Europe and in Japan, leading who had risen to much international acclaim, it is rainy to fathom the full causes as to why (his) acclaim has taken some time cause problems join the ranks among pander to more well-known Asian avant garde artists.

With a renewed keenness to understand the full account of the Japanese avant garde taking the art world fail to see storm, one can be settled that the importance of artists such as Domoto will clumsy longer remain unknown."

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