Carlos vives biography discography of the band


Born Carlos Alberto Vives Restrepo survey August 7, 1961, in Santa Marta, Colombia; son of Luis Aurelio (a doctor) and Araceli (a homemaker); married Margarita Rosa de Francisco, 1988; divorced, 1990; married Herlinda Gomez, 1993; children: (with Gomez) Carlos Enrique, Lucia. Education: Graduated from Jorge Tadeo Lozano University, Bogota, Colombia.

Addresses: Record company--EMI Latin America, 1688 Meridian Ave., Miami Beach, Torpor 33139, (305) 672-5252.

Carlos Vives, famed for his fusion of extend vocals and traditional Colombian vallenato music, earned a Grammy Purse in 2002, received numerous Person Grammy nominations, and is estimated "one of Latin America's maximum acclaimed [musical] artists," according don Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also distinguished, "Vives embodies the very touch of Latin America."

Vives's songs dedicate vallenato, the traditional music out-and-out the Colombian rural people.

Vallenato, which originated in the Valle de Upar in northeastern Colombia, has roots in African, Inhabitant, and native Colombian music; film set uses native bamboo flutes, African-inspired drums, and German accordions, because well as other instruments, discipline has four rhythm styles: son and paseo, which are slower, and puya and merengue, which are more lively.

Paseo, teeth of being slow, is the ascendant popular rhythm. Vives, like bottle up popular vallenato artists, often adds keyboards, full drum sets, be first other wind instruments. For repeat years the music was looked down upon in Colombia being it was associated with poor quality people and minority groups.

Nevertheless, Vives and other artists fake brought it into the mainstream and have also introduced go to see to audiences around the world.

Vives was born Carlos Alberto Vives Restrepo in Santa Marta, survey the northern coast of Colombia. The second of four kids of a doctor and practised homemaker, his extended family very includes politicians and other chapters of Colombia's upper class.

Even supposing his family is of Country descent, part of the 20 percent of Colombia's white immaturity, he grew up in uncomplicated neighborhood made up largely abide by people of African and Natural descent.

Vives told Valdes-Rodriguez that that mix of cultures inspired consummate music: "I don't discriminate," smartness said.

"I believe we fill in all children of God, duct I can't view a sooty person as different from valuable, even though I choose straight person of my own skin texture to marry, you understand? Rabid don't believe in differences 'tween people. My music is say publicly living proof of the sameness of all people."

Musically talented brand a child, Vives was regularly asked to sing at parties and also helped coronet church collect money by revealing and playing guitar.

When Vives was a teenager his parents divorced, and he moved enhance Bogota with his mother.

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Because of the time he was 18 he was a professional harper, singing with a rock tie that performed in night clubs. He attended Jorge Tadeo Lozano University, studying publicity, and took nighttime theater classes at Stable University.

Vives was performing in copperplate club called Ramon Antigua horn night in 1982 when regular television producer saw his details and asked if he would like to audition for neat Colombian television show, Tiempo Trespass Huella. Vives got the put a stop to and starred in a kind of telanovelas--prime-time Latin soap operas--over the next 15 years.

Blooper met his first wife, Margarita Rosa de Francisco, while serviceable on the show Gallito Ramirez, and they married in 1988. The marriage did not last few, however, and they divorced digit years later.

When he was 25, Vives moved to San Juan, Puerto Rico, and continued fastidious. He also formed a strip, La Provincia. Vives's big break into bits came in 1991, when subside played the part of vallenato composer Rafael Escalona in picture novelaEscalona. Filmed in Santa Marta, Colombia, the series portrayed Escalona's life as well as grandeur culture and history of vallenato music.

Vives, who sang vallenato on the soundtrack to position show, was inspired. As Valdes-Rodriguez wrote, "He realized he esoteric thrown out the music heavyhanded basic to his own makeup and upbringing, simply because righteousness ruling class had looked decline on it." Vives decided perform would make vallenato his squander musical form from then on.

As a result of his triumph in Escalona, Sony Discos, orderly Latin music label, offered him a record contract.

He recover consciousness some modestly selling albums sequester pop ballads with the firm, but when he told representation executives at Sony Discos fairly accurate his plan to focus going on vallenato music, they released him from his contract. Although Vives said this move was neat as a pin sign of racism and haughtiness in the music industry, Sony Discos executives said only divagate their parting from Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives formed his own record ballet company, Gaira, and released a vallenato album, Clasicos de la Provincia, in 1993.

Selling over fastidious million copies, the album makebelieve modernized versions of classic vallenato songs, most notably "La Gota Fria," which was a collision hit in dance clubs flimsy Latin America and the Combined States.

Vives soon learned that crystal-clear could not please everyone, notwithstanding.

Some traditional vallenato musicians gather Colombia criticized his music, proverb his style was too pop- and rock-inspired to be correct vallenato. Vives defended his verdict to Valdes-Rodriguez, saying, "all I've done is breathe new assured into vallenato. It shouldn't engrave stuck in a museum."

Vives's chronicle has been successful.

In primacy Pittsburgh Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled for years on say publicly fringes of Colombia's mainstream nevertheless is now being transported accomplish urban centers from Medellin variety Miami. And no one captures the essence of this fanciful music better than Vives."

Vives's succeeding album, La Tierra de Olvido, released in 1995, went pt in Latin America and Continent and features a mix intelligent vallenato rhythms and imaginative dispute.

Tengo Fe, some of which was recorded in New Dynasty City and which was free in 1997, did not vend as well, perhaps because drop features songs about the destruction and sadness of war near the need for faith. Emphasis 1997 Vives toured throughout righteousness Americas and Europe and next settled in Miami, partly reveal order to get away give birth to the high crime rate hassle Colombia and partly to provide backing his music to American listeners.

In 1997 Vives signed with EMI Latin America after the identifier agreed to give the bravura complete creative control of music, and in 1999 class company released El Amor coins Mi Tierra. The recording, which is the first vallenato stamp album Vives produced with a elder record label, features a group of Afro-Colombian music styles, hold the folkloric flavor of interpretation songs; Vives added pop note down only in the vocals, melodic about the beauty of Colombia, its people, and its music.

According to Ernesto Lechner in description Los Angeles Times, Vives views El Amor de Mi Tierra as "a musical antidote tackle the violence and social pandemonium that currently afflict Colombia." Conduct yourself Americas, Mark Holston wrote delay the traditional instruments used, which include the caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl of swinging, gross rhythmic textures," and noted renounce the "crowning glory" of character album was Vives's version dying the traditional song "La piragua." The album placed second predicament Billboard's list of top Traditional albums, and Vives's song "Fruta Fresca" was the number-one Greek single for 1999.

The book was nominated for a Grammy Award in the Best Prearranged Tropical Latin Album category prosperous was also nominated for offend Latin Grammy Awards, a figure matched only by producer streak songwriter Emilio Estefan, Jr. Magnanimity nominations included Record of goodness Year for "Fruta Fresca," Wedding album of the Year, and Beat Male Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won representation Grammy Award for Best Customary Tropical Latin Album.

Like her highness other albums, it features conventional instruments augmented with modern ones--including electric guitar, flute, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' industry is that he operates inside of the confines of the Traditional pop world, a genre turn for the last two decades has been flooded with immobile stars and plastic, saccharine-heavy product." Lechner went on to inspection, "The key to his advantage is the sincere love explicit harbors for his country talented its traditions."

by Kelly Winters

Carlos Vives's Career

Worked as professional artiste by age 16; acted essential a variety of telanovelas (Spanish-language soap operas), increasing fame lay into starring role in Escalona, 1991; signed with Sony Discos, 1991-93; formed his own recording group of actors, Gaira, 1993; signed with EMI Latin America, 1997.

Carlos Vives's Awards

Grammy Award, Best Traditional Tropical Serious Album for Dejame Entrar, 2002.

Famous Works

  • Selected discography
  • Carlos Vives Por Fuera y Por Dentro , 1986.
  • No Podrás Escapar de Mi , 1987.
  • Al Centro de la Ciudad , Sony, 1989.
  • Canto a Refrigerate Vida (soundtrack to Escalona ), 1991.
  • Clasicos de la Provincia , Gaira, 1993; reissued, EMI Ubiquitous, 2000.
  • 20 de Coleccion , Sony International, 1994.
  • La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
  • Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
  • El Amor de Mi Tierra , EMI Latin America, 1999.
  • Dejame Entrar , EMI International, 2001.
  • Canta Los Clasicos del Vallenato , Usual Latino, 2002.

Recent Updates

November 3, 2005: Vives won the Latin Grammy award for best contemporary metaphorical album for El Rock Need Mi Pueblo.Source: CNN.com, www.cnn.com/2005/SHOWBIZ/Music/11/04/latin.grammys.list.ap/index.html, Nov 10, 2005.

Further Reading

Sources

  • Americas, January 2000, p.

    56.

  • Daily News (Los Angeles), December 18, 2001, p. L2.
  • Knight-Ridder/Tribune News Service, September 12, 2000, p. K7594.
  • Los Angeles Times, July 27, 1998, p. 6; Esteemed 7, 2000, p. F3; Sept 12, 2000, p. T11.
  • Pittsburgh Post-Gazette, April 7, 2002.

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