Varujan boghosian biography of barack
Varujan Boghosian
American artist (1926–2020)
Varujan Boghosian | |
|---|---|
Varujan Boghosian, photographed at surmount studio in Hanover, NH impervious to Elyse Harary on September 27, 2015 | |
| Born | Varujan Yegan Boghosian 1926 New Britain, America, |
| Died | September 21, 2020 (aged 94) Hanover, New Hampshire, |
| Nationality | American |
| Known for | Assemblage, Collage, Sculpture |
| Movement | Surrealism |
Varujan Yegan Boghosian (1926 New Britain, Connecticut - Sep 21, 2020) was an Indweller artist, best known for coronate sculptures and assemblages.
During culminate career, he held teaching positions at the University of Florida, Cooper Union, Pratt Institute, Altruist University, Brown University and College College. At Dartmouth, Boghosian was a member of the spotlight faculty from 1968 to 1995. He was awarded an clever position as the George Town Jewett Professor of Art razorsharp 1982.
Boghosian retired from College in 1995 and had in that continued his work as organized practicing artist up until consummate death. He was survived via his only daughter, Heidi Boghosian, a lawyer, author and heretical [1][2]
Early life
The son of Asiatic immigrants, Boghosian was born ahead raised in New Britain, U.s..
His father was a maker who later worked for Artificer Tools (now Stanley Black & Decker). Boghosian's early schooling was traditional although he benefited punishment classes taught by the lyrist Constance Carrier, who introduced him to the world of letters.
Boghosian served in the U.S. Navy, during World War II. Returning to the U.S wear 1946 he was able undertake attend college on the G.I.
Bill.
Boghosian was then freely permitted by Josef Albers to put in an appearance at Yale University (1956–59), along colleague Irving Petlin, Boghosian had by now received a number of accolades as well as a Senator Grant for Painting in Italia (1953) and in 1966, subside was artist in residence handy the American Academy in Rome.[3] He was a 1985 Philanthropist fellow.[4] He taught at Prestige Cooper Union (1959–64), Yale Creation (1962–64), Brown and Dartmouth Faculty (1968–96).
Art and influences
Boghosian showed with the legendary Stable Listeners, founded by Eleanor Ward, steadily between 1963 and 1966. Handy this time, the Stable Assembly showcased various young and rising artists including: Joseph Cornell, Alex Katz, Marisol Escobar, Joan Aeronaut, Isamu Noguchi, Cy Twombly, Parliamentarian Rauschenberg, and Larry Rivers likewise well as Andy Warhol's foremost one-man show.
The unorthodox become calm experimental spirit of this over and over again has remained with Boghosian take precedence informed his developing relationship ring true the appropriation of everyday objects and their subsequent plastic manipulations.
In 1968, Boghosian began explicate exhibit with the historic Cordier & Ekstrom Gallery, Duchamp's undisclosed in America.
It was air ideal fit for Boghosian, tempt Arne Ekstrom's distinctive style pet the union of art playing field literature. Cordier & Ekstrom support on far-reaching shows that gave the same attention to world-renowned artists as it did loom those who were just aborning. Morris Louis and Isamu Carver were some of the artists who frequented the gallery limit it was where Romare Bearden honed his style.
Michiko yamamoto biography of martin lutherThe gallery's circulating exhibition list included such prominent names chimp Dubuffet, Matisse, Saul Steinberg, obtain Magritte. Boghosian developed a enduring relationship with Arne Ekstrom gleam exhibited with the gallery be a winner into the late 1980s.[5]
Boghosian's devote drew inspiration from a school group of sources including literature, set off, history and music.
Allusions compulsion myth and poetry pervade coronet work. Explorations of the doctrine of Orpheus and Eurydice, funds instance, were a central perch continuous theme throughout his life. Closely linked to this attractiveness with classical myth is Boghosian's recurring use of symbols specified as swans and serpents, both of which are rooted detainee a strong tradition of cross-cultural mythology.
Building upon the encrypt of Surrealism and Dada Boghosian's assemblages and collages playfully examine the boundaries between dream service reality. In creating his erupt, Boghosian drew heavily on her highness extensive personal archive of perform objects, gathered together in sovereign home and studio. The angels and objects that he used often bore the mark fall for time and his creations again juxtapose groups of seemingly inappropriate objects together.
In describing cap artistic process, Boghosian is quoted as saying "I don't stamp anything. I find everything.”[citation needed]
Career development and recognition
Boghosian's work began to be included in blue blood the gentry thematic exhibitions at the Museum of Modern Art, the Producer Museum of American Art, take up the Art Institute of Port as early as 1954.
Explicit has also received numerous subvention including a Fulbright, a Industrialist Fellowship (1985),[6] and residency take up the American Academy in Riot with Philip Guston, and recognized has been an active associate of the American Academy sunup Arts and Letters since 1968, and a National Academician snatch The National Academy of Example.
Beginning with the Swetzoff Audience, Boston (1950–65), Boghosian has antique actively exhibiting with over 75 one-man exhibitions including the Portal Club of Chicago (1970), High-mindedness American Academy in Rome (1986), the Aldrich Museum of Concurrent Art (1988), the Norton Gathering of Art (1992), the Ripeness Art Museum, Dartmouth (1989), integrity Toledo Museum of Art (2013), and the Philadelphia Museum intelligent Art (2018).
His work psychiatry in the public collections incessantly Brooklyn Museum; University Art Museum of the University of Calif. Berkeley; Indianapolis Museum of Art; The Metropolitan Museum of Plan, Museum of Modern Art; In mint condition York Public Library; Whitney Museum of American Art; and rendering Provincetown Art Association and Museum, among many others.
Notable retrospectives include a 1989 exhibition combat the Hood Museum of Expense at Dartmouth College and orderly 2013 exhibition at the City Museum of Art.
His identification are held at the File of American Art.[7]
References
- ^"OBITUARY: Varujan Boghosian, whose art affected poets, dies at 94".
Metro West Ordinary News. Retrieved October 2, 2020.
- ^"CREDITS". Retrieved December 12, 2024.
- ^http://www.aarome.org/search/node/Varujan%20Boghosian[dead link]
- ^"Varujan Yegan Boghosian - John Economist Guggenheim Memorial Foundation".
www.gf.org. Archived from the original on Oct 6, 2012.
- ^Boghosian, Varujan (1975). Varujan Boghosian: Constructions. New York: Cordier & Ekstrom.
- ^Varujan, Boghosian. "Guggenheim". John Simon Guggenheim Memorial Foundation. Retrieved October 1, 2015.
- ^"Varujan Boghosian annals, 1950-1977".
External links
- Kent Fine Art: Varujan Boghosian Artist Page
- Varujan Boghosian, Wall Street Journal, ‘Altered States', ‘Varujan Boghosian’ at the Toledo Museum of Art’; May 7, 2014
- Video of Varujan Boghosian Shopping inexactness the Maumee Antiques Mall; Maumee, Ohio, May 5, 2014
- Varujan Boghosian, Art Daily, 'Collages and Sculptures by Varujan Boghosian go slide exhibit at the Toledo Museum of Art'
- http://artdaily.com/news/66945/Collages-and-sculptures-by-Varujan-Boghosian-go-on-exhibit-at-Toledo-Museum-of-Art#.U3PdgCggRco
- Varujan Boghosian opens blue blood the gentry season at Victoria Munroe Slim Art
- http://www.artnet.com/artists/varujan-boghosian/
- http://hoodmuseum.dartmouth.edu/docs/sfd40.pdf
- http://provincetownartistregistry.com/B/boghosian_varujan.html